My Artist’s Journal
As most of my friends will tell you, I am not a man of few words. Nope, I ruminate through ideas with thorough discussion. I’m getting better though. I work very hard at speaking less and listening more. I think it’s my global thinking and my philomathy that usually get me into trouble. When I get excited about something I could discuss it all day long. Discovery and learning are passions with me.
My art however, is visual, not verbal or written. I’m a visual storyteller. I got my start in theatre way, way back in the late (19)60’s (Middle School). I went on in college to add film and video work to that. Telling stories in linear, visual media is my background. Today, however I’m a static story-teller, similar to a photographer, and the Artist’s Journal has now become my new lab.
I no longer keep an Artist’s Journal simply to capture and store ideas. In the Artist’s Journal I hone my ability to visually portray what I’m ticked off about, what I’m passionate about, or what I’m excited about. Step by step, I’m leaving planning and preconception behind.
These days I’m simply trying to begin to make art with little or no notion of what I’m even going to say, and I’ve got to tell you, that takes a great deal of courage. My training in theatre and film both required a ton of preproduction planning. Most visual art doesn’t. It’s not like I’m Michaelangelo doing the David or the ceiling of the Sistine Chapel. Sure, if I had a public commission, I’d thoroughly plan it out, but I don’t do public commissions.
These days my Artist’s Journal is a lab or a playground where I can experiment, and “waste” materials to learn what I can do with them. Working in my Artist’s Journal allows me to develop and hone a deepening connection with life, story, and visual expression.
When it comes to self-expression, most of us don’t think a lot about what’s on our minds. We simply put it into words and speak our minds. That’s exactly what an Artist’s Journal is helping me to get better at; to portray with few words and very meaning-filled picture(s) what’s on my heart and mind.
For inspiration I’ve been visiting loads of other artist’s websites who work in Collage, Mixed-Media, Assemblage, Altered Books, Art Books, and Artist’s Journals (I love these media!). What I’ve found, especially among the Artist’s Journals, is the cathartic, therapeutic, release of laying out what’s on the artist’s mind in pictures and words. Much of it is really wonderful because it speaks clearly and powerfully, “I’m hurting,” or “I’m totally filled with joy,” or “That really ticks me off!”
My left-brain has been the root source of the disconnection. I’ve been better able to talk about what’s on my mind rather than to simply portray it visually. If I did beautiful compositions only, then I’d be producing a great deal of work without story; for me, nice but devoid of meaning.
My storytelling arts practice demands the presence of the human condition. I don’t care if it’s a gently smoking pipe in an ashtray, or a footprint in the sand. Someone passed this way. Someone with a life has been here. In fact I really love artifacts; the merest suggestion of human presence. I love the mystery of who they were, why they were “here”. That’s probably why I love Archaeology so much – but I digress.
This idea is similar to what I’d tell my casts when I directed theatre productions; out there, backstage, beyond the set is the rest of the story-world. It’s called back-story. It’s our responsibility to give our audience a sense of a full-scale world beyond the walls of the set. They need that full-scale context beyond the scenes of our play, right here on-stage. I want the same sense of back-story in my work; the art is merely a window into a larger world “beyond the looking glass”.
It’s what we, as viewers/readers bring to the theatre when we watch a good play, read a good novel, or see a good film; we see something of ourselves in these story-telling media. I want my art to suggest something larger, a back-story that the viewer brings with them to their own personal engagement of the work.
It doesn’t matter what they bring to the experience, because in reality, it’s their story. They hopefully see/experience something for and of themselves. And I’m finding that the best place to hone my skills to express story in my artworks, is through the safe, never a mistake, don’t think, don’t “fix it” sheets of my Artist’s Journal.