Living at the convergence of faith and art.

Truth Through a Lens

  lifethroughalens This evening, I watched a film (80 mins) on photographer Annie Liebovitz, Life Through a Lens. It’s aptly titled because following her early career to today, it’s an historic walk through the 1970’s, 80’s, 90’s, and now. We revisited San Francisco and the sex, drugs, rock ‘n’ roll era. We wandered through several decades of Rolling Stone magazine, read by anyone wanting social and cultural change. We moved on to her current work with magazines, Vogue, and Vanity Fair. It was 40-years of American, New York cultural history and influence.

What struck me most was how so many up and comers find their creative expression in such destructive lifestyles. She talked about her incredibly close friendship with the late Susan Sontag, singer & visual artist Patti Smith, and her engaging work in the lives of a vast array of celebrities. This film is a whirl wind tour of the back half of the twentieth century all seen in the tumultuous context that is artistic New York.

This morning Manuel Luz, singer/songwriter and author wrote a wonderful post. In Science, Hendrix, Banned Books & Brokeness he spoke of how truth is so often found even in the midst of lives of death and destruction.

Angst is real. It’s a part of what is true. So if you’re wanting music or any art form that is true, you go for truth, regardless of where it comes from. I think Jimi Hendrix was doing something that was actually really true. Now he was coming from a sense of brokenness, and I feel bad for that because he never was able to reconcile that. My faith is what has helped me to reconcile…”

So many Christians in this season – and it’s becoming less so, praise God – keep ugliness and unpleasantness at arms length simply because it is unpleasant and ugly. They’re not really looking for God’s Truth, but merely a quiet, pleasant life. When it comes to their kids being seduced by pop culture, or secular humanism, their tendency is to wall themselves off with their families lest they be contaminated. In this way, these Christians are operating from a posture of fear and are allowing themselves to be neutralized by their enemy, the Liar. To them God isn’t very powerful, and evil must be battled even here in the physical / material realm. Folly this.

This is perhaps the main reason the institutional church fights to manage artists who are Christian; much Truth is found amid ugliness and unpleasantness. If the artists are forced to seek Truth in stringently clean, fully Christianized contexts, well then, it will be not only beautiful, but pleasant. However it will contain absolutely no Truth.

Because artists are open, brave, and receptive to the world around them, their lives are often lived as loose cannon, rolling around the deck of life and doing “damage”. Christians who wall-off and shelter themselves from unpleasantness and ugliness seek peace and order, something that life has very little of, and in so doing endeavor to present a Theology of Aesthetics. In effect these wall builders seek to dictate and control expressions of beauty and the arts. Therein lies much of the basis of the centuries old friction between the institutional church and artists.

This is why I am creative outside of the church, and in The Church (Body of Christ). I do not allow any institution to dictate to me what I will or will not produce as art. If the creative person is censured, there is little or no Truth in the work, just Christian propaganda; yet another reason why 1-million Christians are leaving the institutional church every year and seeking God in person – directly and relationally.

And all of this was triggered and unpacked just by a documentary film on the greatest cultural photographer of our times.    Amen ~

Advertisements

Comments are closed.