I don’t seem, as yet to share that hope, although I do / am / will produce works which point to the foot of the Cross. That’s certainly hope-filled. But what is hope anyway? Is it a deep spiritual straining? Is it a kind of, sort of wishing that something would happen in the midst of our prayers, whatever those may be?
I’d like to believe that this hopeful (hope-filled) act is like faith; “Faith is the substance of things hoped for, the evidence of things not seen.” (Hebrews 11:1) I want to focus on those two words substance and evidence.
Substance means the being or nature of a thing; the essential nature of something hoped for; it’s essence. Evidence means the proof, being obvious or apparent. Hoped for … is to wait for something in full faith and confidence; in essence waiting in full joy and confidence for the manifestation of what is hoped for. This hoped for is not a mere wishing. It’s a fully confident “done deal”, kind of new reality that has yet to become a manifest reality.
In the manner Fujimura uses hopeful, as in hopeful act, it seems to me to mean that the making of art is an act filled with hope; filled with the full confidence of a new manifestation of a positive, creative reality. “Art is an inherently hope[filled] act, one that echoes the creativity of the Creator.” I see this act of making as filled with hope (waiting in confidence for a manifestation), which does, indeed, echo the creativity of the Creator. Our God is in His very essence positive, loving, and certainly creative. We artists are privileged to “imitate” Him through the use of the gift of creativity which He gave us at our Genesis (birth / conception). Being made by Him in His image, we’re the one and only species on the planet to be so endowed.
We most often use the word hope to mean awaiting the manifestation of a better tomorrow. We so often merely wish for a better tomorrow. But both the passage in Hebrews 11, and the statement from Fujimura indicate a confident waiting for the manifestation of that better tomorrow. Art, Mako says, has that inherent power in its DNA as it were, and it is the privilege of the artist to point the way, to suggest what that better tomorrow might look like.